Wednesday, 12 September 2012

First, The Doubtful Charts Of Skin

Format: 841*594mm
Medium: Hand made inks, house hold enamel and gesso
This is a second attempt to illustrating the poem, that I had previously done. Using geometric shapes to construct the body of the bird, the white cliffs of Dover are represented as the figure. I have used Eadweard Muybridge's horse video clips to collage the horde of horses running to jump off the cliff. The glooming hand, ready to tickle the bird is my visual representation of what I believed T.Hughes' was trying to describe as 'pleasuring a woman'.

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